His skill can be seen in the delicate shading and the intricate patterning of the animal’s hide. Albrecht Durer. "Albrecht Dürer The Rhinoceros (B. Dürer's Rhinoceros is the name commonly given to a woodcut executed by German painter and printmaker Albrecht Dürer in 1515. Nederlands: Rhinoceros is een houtsnede door Albrecht Dürer uit een omschrijving verstrekt hem (hij had eigenlijk nog nooit een gezien). Albrecht Dürer (/ ˈ dj ʊər ər /; German: [ˈʔalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528), sometimes spelt in English as Durer or Duerer (without an umlaut), was a German painter, printmaker, and theorist of the German Renaissance.Born in Nuremberg, Dürer established his reputation and influence across Europe when he was in his twenties due to his high-quality woodcut prints. Durer’s text at the top of the woodcut confirms the impression that the image gives of a powerful fighting beast feared even by elephants. D E E P S P A C E S P A R K L E & T H E S P A R K L E R S … The commercial success of Durer’s image reflected the excitement that had been created by the animal’s arrival. Goede overlevende indrukken zijn echter zeldzaam. 241; S.M.S. 1515, woodcut, National Gallery of Art, Washington. Dürer is believed to have made between 4,000-5,000 prints of the rhino, which made their way around Europe. He was also known for his woodcuts and copper engravings, notably The Apocalypse series (1498), Adam and Eve (1504), Saint Jerome in His Study (1514), and The Rhinoceros (1515). He learned of it from a sketch and description sent by Valentin Ferdinand, a Moravian printer who had settled in Lisbon, to a friend in Nuremberg. Albrecht Dürer, né en 1471, donc âgé de quarante-quatre ans en 1515, était un artiste allemand complet, à la fois peintre, dessinateur, graveur, théoricien et réformateur des arts. All Rights Reserved. The rhinoceros’ horn is much larger and imposing than in nature and, indeed, Durer shows the animal as having a second, smaller, spiral horn on its back. The History of the Life of Albrecht Dürer of Nürnberg: With a translation of his letters and journal, and some account of his works. Isn't that what we do most of the time? It had been presented by the ruler of Gujarat, Sultan Muzafar II, to the governor of Portugese India, Alfonso d'Albuquerque, who sent it on to King Manuel I in Lisbon, where it arrived on 20 May, 1515. To the modern eye it does not appear to be a very realistic depiction of a rhinoceros. Albrecht Dürer (German, 1471--1528) Rhinoceros, 1515 Woodcu... A duel between a rhinocerus and an elephant? Dürer, Albrecht. All Rights Reserved. Dürer left one of the most powerful legacies of all the artists of the Northern European Renaissance, particularly in… He also assures the viewer that “This is an accurate representation”. Although the sketch has failed to survive, the inscription on the woodcut is worded as if it were a literal transcription of the report sent from Lisbon: Adamant Media Corporation, 2005 • Panofsky, E. The Life and Art of Albrecht Durer (Princeton Classic Editions). KING KONG RHINOMEETS ALBRECHT DÜRER L'artista: Li-Jen Shih Albrecht Dürer in mostra Le immagini seguenti sono utilizzabili liberamente solo se accreditate "pic by Stefano D'Onofrio" The following pictures can be used only if credited "pic by Stefano D'Onofrio" The rhino caused a sensation upon being exhibited in Lisbon. For this was the rhinoceros portrayed by Albrecht Dürer in his famous woodblock print of 1515. no. Albrecht Dürer never saw a rhinoceros in real life. Developments in printing technology meant that his “Rhinoceros” could be reproduced in much greater quantities than previously and priced to be within the reach of the less wealthy. And this story of how Albrecht Dürer came to draw an animal he'd never seen, this idea of creating a version of reality without ever having actually witnessed that reality first hand, it made me wonder if this is a feature of data analyst life in the NHS. Disclaimer: www.AlbrechtDurer.org is a personal website covering the career of famous German painter Albrecht Durer, but is in no way an official website for Albrecht Durer and www.AlbrechtDurer.org does not claim to be that in any way. WHAT YOU’LL NEED: 12” x 18” white sulphite paper Black oil pastel Liquid watercolor Medium round paintbrush Dürer Pattern Rhino. Famous paintings include a self-portrait from 1500 and the so-called Four Apostles (1526). It is an emblem of the world of his time. It is thought to have sold as many as 5,000 copies in Durer’s lifetime and was to become the iconic image that Europeans turned to describe the rhinoceros until well into the eighteenth century. Dürer’s famous woodcut records the arrival of the first rhinoceros to reach Europe alive since the third century AD. Albrecht Dürer's Rhinoceros 1515 as Pop Art Print in 12 different variations by Metaversum. Zeer populair, het ging door acht edities. © www.AlbrechtDurer.org 2019. From David Tunick, Inc., Albrecht Dürer, The Rhinoceros (1515), Woodcut on laid paper, 8 1/2 × 11 3/4 in 241) (1515), Woodcut with letterpress text, 23.5 × 29.8 cm (23.8 x 29.9 cm) Classification: Prints. ALBRECHT DÜRER (1471-1528) 'Rhinoceros' 1515 (woodcut print) D ürer's illustrations and prints demonstrate astonishing powers of observation allied to a painstaking technique across a … It is a world in which the nations of Europe were competing not just in Europe itself but across the globe in Asia as well as the Americas. The Rhinoceros (Bartsch 136; Meder, Hollstein 241) Woodcut, 1515, a good, delicate impression of the fourth or fifth edition (of eight), with the fine crack in the block through the hindlegs, but before it appears in the forelegs, on paper with an Eagle in a Shield Surmounted by a Fleur-de-Lys watermark (cf. Title: The Rhinoceros. Created in 1515 Dürer’s woodcut shaped public perceptions of the creature for more than two centuries. The excitement of Europe’s expanding horizons and ambitions as well as its increasing knowledge and understanding of the wider world and of nature. This print of a rhinoceros was created by Albrecht Dürer, the most famous artist of his day. He did see descriptions of the animal, and even a sketch, sent from Lisbon to Nuremburg by eyewitnesses. | Terms of Use | Privacy Policy | Contact Us | Sitemap. History Hear about the contest held by Manuel I of Portugal. Durer was a master of the woodcut and had brought greater artistic vision and intellectual depth to the medium. Albrecht Dürer In Our Time Melvyn Bragg and guests discuss Dürer, the creator of some of the most memorable images in the late Renaissance from his woodcut of a rhinoceros … Albrecht Dürer’s vast body of work includes religious pieces, portraits, and prints. Find more prominent pieces of animal painting at Wikiart.org – best visual art database. The Rhinoceros, which must have seemed like a mythical beast to those that viewed it first in Lisbon, would have been a potent symbol of that exotic, untamed, outside world to which Europe was bringing order and enlightenment. Artist: Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Date: 1515. Meder 39), framed This finely detailed woodcut produced by Albrecht Durer, one of the great artists of the Northern European Renaissance, records the arrival in Europe of the first rhinoceros to be seen there since the days of the Roman Empire. Il était déjà célèbre, puisque grâce à ses reproductions bon marché, son travail était très largement diffusé en Europe . His decision to issue the image as a woodcut made it accessible to many more people eager to experience something of that excitement. But Dürer himself had never seen a rhinoceros. Általában Dürer Rinocéroszának nevezik Albrecht Dürer 1515-ben készült fametszetét.A képet egy ismeretlen alkotó vázlatára és leírására alapozta az abban az évben Lisszabonba érkezett indiai orrszarvúról.. Dürer maga soha nem látta az állatot, ami a római idők óta az első élő példány volt Európában. 136; M., Holl. The animal had been shipped to Lisbon in 1515 as a gift to King Manuel I of Portugal by Afonso de Albequerque the governor of Portuguese India. Rhinoceros. The print became the de facto illustration of a rhinoceros for centuries, regardless of its inaccuracies. Its arrival caused a sensation and attracted crowds of visitors for several months eager to see for themselves an exotic creature from antiquity that had been newly rediscovered. Yet the unfortunate rhinoceros, so far from home, achieved a kind of immortality in art. Albrecht Dürer, The Rhinoceros, 1515.Pen and brown ink, 27.4 x 42 cm. Free shipping! Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Albrecht Dürer’s The Rhinoceros: the most influential animal picture ever? Albrecht Durer. Albrecht Dürer. It was being re-gifted to Pope Leo X when the ship it was on foundered. Dimensions: image: 8 3/8 x 11 5/8 in. All prints are beautiful and detailed rendering, including historical description text, superior color prints on high quality paper. Dürer’s rhino was used in German textbooks as recently as the 1930s. From Christie's Old Masters , Albrecht Dürer, The Rhinoceros (B. Dürer’s Rhinoceros is a woodcut created by Albrecht Dürer in 1515 A.D. As an illustration of an animal at the center of a famous series of events, the woodcut was highly popular in the artist’s lifetime. Your email address will not be published. It was to be housed in the King’s menagerie at the Ribeira Palace in Lisbon. The image is based on a written description and brief sketch by an unknown artist of an Indian rhinoceros that had arrived in Lisbon in 1515. His woodcuts had made him one of the most famous and successful artists in Europe. (21.3 x 29.5 cm) trimmed to block line except at top sheet: 9 3/8 x 11 3/4 in. An Enduring Image. 241; S.M.S. 1471 - 1528. 5218-161. No rhinoceros had been seen in Europe for over 1000 years, so Dürer had to work solely from these reports. Rhinoceros. Rhinoceros. This image of a gift from a colonial governor to his king reflects a confidently expansionist Europe intent on bringing what it saw as its own superior civilisation to a world outside Europe that it thought savage and ignorant. 136; M., Holl. London, British Museum, inv. He made his own drawing of the animal and soon produced the woodcut that proved to be one of the most commercially successful of its time. Dürer never saw a rhinoceros in any form. But Durer’s “Rhinoceros” is more than just the depiction of an exotic beast. The thick folded skin of the Indian rhinoceros has been portrayed as something more like armour plating. Credit Line: Gift of Junius Spencer Morgan, 1919. Durer never saw the rhinoceros himself. Although the letterpress text atop this broadsheet suggests otherwise, he in fact copied the woodcut from a drawing and a description given by an eyewitness before the ship carrying this gift for the king of Portugal sank on the way from India. Medium: Woodcut. ‘Rhinoceros’ was created in 1515 by Albrecht Durer in Northern Renaissance style.